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Boris Giltburg - Rachmaninov: Etudes-tableaux, Op. 39; Moments musicaux (2016)

26-08-2016, 12:17
2016 | Classical Music | FLAC / APE

Title: Rachmaninov: Etudes-tableaux, Op. 39; Moments musicaux
Year Of Release: 2016
Label: Naxos
Genre: Classical
Quality: FLAC (image+cue)
Total Time: 01:10:36
Total Size: 253 Mb


Etudes-tableaux, Op. 39
01. No. 1 in C minor: Allegro agitato
02. No. 2 in A minor: Lento assai
03. No. 3 in F sharp minor: Allegro molto
04. No. 4 in B minor: Allegro assai
05. No. 5 in E flat minor: Appassionato
06. No. 6 in A minor: Allegro
07. No. 7 in C minor: Lento
08. No. 8 in D minor: Allegro moderato
09. No. 9 in D major: Allegro moderato

Moments musicaux, Op. 16
10. No. 1 in B flat minor: Andantino
11. No. 2 in E flat minor: Allegretto
12. No. 3 in B minor: Andante cantabile
13. No. 4 in E minor: Presto
14. No. 5 in D flat major: Adagio sostenuto
15. No. 6 in C major: Maestoso

Boris Giltburg - Piano
Sergey Rachmaninov - Composer

Boris Giltburg's 2016 release on Naxos consists of two sets of piano pieces by Sergey Rachmaninov, the Etudes-tableaux, Op. 39 (1916-1917), and the Moments musicaux, Op. 16 (1896). The Etudes-tableaux are a cross between technical studies and character pieces, reminiscent of the etudes of Frederic Chopin, and they present considerable challenges, even to virtuoso pianists. Here, Giltburg displays his remarkable skills, as well as a range of expressions that run from the fiery and turbulent to the atmospheric and melancholy. In the Moments musicaux, Rachmaninov experimented with short forms, such as the nocturne, etude, funeral march, barcarolle, and theme with variations, and these pieces demonstrated his mastery of piano technique, if not yet his full maturity as a composer. Giltburg's playing brings out a variety of colors and textures, and his passionate interpretations accord with Rachmaninov's youthful, ardent style. The recording in the Concert Hall, Wyastone Leys, Monmouth offers a big sound with great resonance, though all the details of the music are easily heard, thanks to close microphone placement.--Blair Sanderson

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