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Alice Sara Ott, Thomas Hengelbrock - Tchaikovsky & Liszt: First Piano Concertos (2010) Lossless

3-08-2016, 17:07
Classical Music | FLAC / APE

Title: Tchaikovsky & Liszt: First Piano Concerto
Year Of Release: 2010
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 0:59:12
Total Size: 251 Mb


Tchaikovsky: Piano Concerto No.1 in B Flat minor, Op.23
01. I. Allegro non troppo e molto maestoso - Allegro con spirito
02. II. Andantino semplice - Prestissimo - Tempo I
03. III. Allegro con fuoco

Liszt: Piano Concerto No.1 in E Flat major, S.124
04. I. Allegro maestoso
05. II. Quasi adagio - Allegretto vivace - Allegro animato
06. III. Allegro marziale animato - Presto

07. Liszt: Consolation No.3, Lento placido

Alice Sara Ott - Piano
Thomas Hengelbrock - Conductor
Munchner Philharmoniker Orchestra
Pyotr Il'yich Tchaikovsky (1840-1893), Franz Liszt (1811-1886) - Composers

Alice Sara Ott the young artist presents two of the greatest hits in the repertoire: Tchaikovsky’s and Liszt’s First Piano Concertos.
She recorded this partly live (Tchaikovsky) album in her home town of Munich with the superb Munich Philharmonic Orchestra under the baton of Thomas Hengelbrock, known as a modern interpreter with strong ideas (and a strong work ethic).
The two concertos are works that have accompanied Alice Sara Ott since her early youth. She played the Liszt before an audience the first time when she was 14 and the Tchaikovsky at 17. She has an intense relationship with both works, something clearly audible in the 21-year-old pianist’s vivid interpretations. Alice says about the Tchaikovsky: “This piece is a revolution for me. It actually contains very different perspectives on life: the melancholy and gloomy, the majestic and, then again, the bright and light, lyrical and soaring. In any case it’s a challenge. A physical one, of course, but, in the end, really a mental one.” A challenge she has mastered, as the Suddeutsche Zeitung confirmed: “In the midst of Tchaikovsky’s avalanche of notes, Ott somehow manages to tease out the quiet passages, and with great poise to make room for lyricism and gently grazing the keys for a dreamy but distinct play of colours.”

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kroegex   User offline   5 August 2016 09:47

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