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Scott Bradlee’s Postmodern Jukebox - Squad Goals (2016)

20-07-2016, 14:49
Jazz | Vocal Jazz | iTunes

Title: Squad Goals
Year Of Release: 2016
Genre: Jazz, Vocal Jazz, Swing, Pop
Quality: m4a 256 kbps
Total Time: 00:56:34
Total Size: 116 mb


01. Scott Bradlee's Postmodern Jukebox - MMMbop (feat. Kenton Chen, Luke Edgemon, Matt Bloyd & Mario Jose)
02. Scott Bradlee's Postmodern Jukebox - Toxic (feat. Melinda Doolittle)
03. Scott Bradlee's Postmodern Jukebox - Dancing In the Dark (feat. Von Smith)
04. Scott Bradlee's Postmodern Jukebox - Black Hole Sun (feat. Haley Reinhart)
05. Scott Bradlee's Postmodern Jukebox - You Give Love a Bad Name (feat. Jennie Lena)
06. Scott Bradlee's Postmodern Jukebox - Roxanne (feat. Dani Armstrong)
07. Scott Bradlee's Postmodern Jukebox - Never Forget You (feat. Addie Hamilton)
08. Scott Bradlee's Postmodern Jukebox - All of Me (feat. Brielle Von Hugel)
09. Scott Bradlee's Postmodern Jukebox - Juicy (feat. Maiya Sykes)
10. Scott Bradlee's Postmodern Jukebox - Dream On (feat. Morgan James)
11. Scott Bradlee's Postmodern Jukebox - My Heart Will Go On (feat. Aubrey Logan)
12. Scott Bradlee's Postmodern Jukebox - Stressed Out (feat. Puddles Pity Party)
13. Scott Bradlee's Postmodern Jukebox - Heart of Glass (feat. Addie Hamilton)
14. Scott Bradlee's Postmodern Jukebox - Can't Stop the Feeling (feat. Aubrey Logan)

How did Miley Cyrus' "We Can't Stop" become a '50s-style doo wop number? Since when was Meghan Trainor's "All About That Bass" about an upright bass fiddle? At what point did Macklemore's "Thrift Shop" evolve into a '20s hot jazz tune? And whose idea was it to rework Lorde's "Royals" into a polished ballad sung by a sad clown? It's all part of the topsy-turvy world of Postmodern Jukebox, an ongoing musical project spearheaded by pianist and arranger Scott Bradlee, who takes contemporary pop and rock tunes and fashions new arrangements for them that cast them in an unpredictable variety of musical styles from the past. Born on Long Island, Bradlee relocated to New York City after studying jazz at the University of Hartford. While playing gigs at restaurants and nightclubs in New York City, Bradlee began experimenting with ragtime and jazz arrangements of pop tunes from the '80s, and he recorded several self-released digital albums of his offbeat versions of well-known melodies, as well as performances that interpolated seemingly dissimilar songs of different eras. Bradlee upped the ante on these experiments in 2012 with an album called A Motown Tribute to Nickelback, but as he began imagining a new platform for his experiments, he thought of YouTube, where he had been posting solo performance videos since 2009. In 2013, Bradlee began posting weekly videos in which he and a rotating cast of musicians and vocalists performed a new song each week, recorded live in a single take in Bradlee's living room. In September 2013, Bradlee posted his '50s-style reimagining of Cyrus' "We Can't Stop," and the clip soon went viral, racking up over four million views in less than two months and topping 14 million two years later. Bradlee's Postmodern Jukebox channel was soon racking up Internet successes on a regular basis, and Bradlee continued to release both videos and albums based on his playful fun-house covers of popular songs. By 2015, Bradlee had made over 130 Postmodern Jukebox clips available online, and he and his crew were taking the show on the road, touring in North America, Europe, and the United Kingdom.

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mufty77   User offline   20 July 2016 15:03

Please lossless!!!!!!!

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