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Dale Storr - Jammin' With The Wind: A Tribute To James Carroll Booker III (2016)

16-03-2016, 22:30
Jazz | Blues

Title: Jammin' With The Wind: A Tribute To James Carroll Booker III
Year Of Release: 2016
Label: Junco Records
Genre: New Orleans Piano Jazz/Blues, Vocals
Quality: 320 kbps
Total Time: 46:11
Total Size: 108 MB

1. Keep On Gwine (3:13)
2. Goodnight Irene (4:55)
3. Classified (8:09)
4. Booker's Bounce (2:13)
5. Besame Mucho (3:14)
6. Rockin' Pneumonia (3:08)
7. Pixie (3:05)
8. Pop's Dilemma (3:42)
9. Booker's Burden (4:04)
10. Hambone (3:19)
11. Junco Partner (4:20)
12. I'll Be Seeing You (2:45)

This record consists of Booker originals, popular tunes James used to cover and a few of my own originals in the style of the ‘Bayou Maharajah’. Some of the tunes I’ve stuck to quite faithfully, some of them I’ve spun my own take on but with every recording I’ve had Booker in mind and spirit.
To finish, you need to know what Booker could do and to sum that up I’ll leave you with the words of one of Booker’s students, the great Dr.John aka Mac Rebennack.
“Booker could play it all – stride piano, butterfly, boogie, all the other New Orleans styles, the Chicago styles, bebop, avant-garde jazz, classical, even pop! He’d sit down at the piano and play knock-out versions of all kinds of tunes – everything from Malaguena boogie to Bach fugues. There were just too many things Booker did that were so outrageously beautiful that I just can’t see how he ended up like he did. I consider him to be a genius. If I was ever blessed to meet one, James Carroll Booker was.”

Dale Storr: British Blues Award Nominee ~ 2010/11/12/13/14/15

Dale Storr's musical journey has taken him from his rural Lincolnshire upbringing to his own musical mecca, New Orleans. Dale's early musical interests were inspired by his parents' record collection of early rock'n'roll and country music. His interest grew deeper when he began playing the piano at the age of six cocking an ear to the piano-based music of Little Richard, Jerry Lee Lewis and Fats Domino. The slip-note piano of stylist Floyd Cramer was also another influence that had entered Dale's musical sub-consciousness. As a young boy, his emerging talent led to him winning numerous school and county music competitions as a solo instrumentalist. He also started performing live in local venues at the age of ten, playing organ.

His ability eventually took him away from home to the city of Sheffield. Here he performed with a series of local bands most notably, Sheffield's own rock'n'blues legend, Frank White. Other performers who benefit or have subsequently benefited from having Dale play alongside them are acclaimed British blues exponents, King King feat. Alan Nimmo (the Nimmo Brothers) and Kevin Thorpe, 60's icon Dave Berry, American soul star Earl Thomas, Texas guitar legend Rocky Athas (Black Oak Arkansas), and US R&B giant Eugene 'Hideaway' Bridges, supporting along the way, the likes of Duke Robillard and highly acclaimed New Orleans pianist Henry Butler to name but a few. The evocative music of New Orleans became a passion for the young musician who immersed himself into the styles of other heroes like Professor Longhair, Dr.John, Allen Toussaint, Tuts Washington and James Booker. The latter performer became a particular source of inspiration and resulted in Dale studying the sometimes complex technique of this legendary pianist/singer. Although he himself would probably down-play it, Dale has indeed encompassed much of Booker's music and style in his own playing.

In March of 2006, Dale's passion for New Orleans music saw him perform his debut theatre gig as a soloist, concentrating on the New Orleans piano styles of his afore mentioned influences. The success of that performance led to further dates and Dale has not looked back since. Following the acclaim of those early solo performances Dale added another dimension by bringing in Vocals, and also adding a full line-up of Drums, Bass and Horns consisting of some of the cream of the British Blues & Jazz scene. Since then Dale has gone from strength to strength and his army of fans keeps on growing. Dale's ambition has always been to play the music of New Orleans, which can be anything from a classically influenced minuet, a latin rhumba, a back o' town junker blues to a frenzied boogie woogie. As seen with every Dale Storr performance, he's certainly fulfiiling that ambition.'

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