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Lightnin' Hopkins - His Blues (2010)
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Lightnin' Hopkins - His Blues (2010)

13-10-2016, 20:30
Music | Blues

Title: His Blues
Year Of Release: 2010
Label: Ace Records
Genre: Texas Blues
Quality: 320 kbps
Total Time: 145:35
Total Size: 337 MB

1. Lightnin's Boogie (1948) (2:21)
2. Jake Head Boogie (1952) (2:56)
3. Shotgun Blues (1950) (2:41)
4. European Blues (1949) (2:38)
5. Katie Mae Blues (1947) (3:00)
6. Sugar Mama (Sugar On My Mind) (1948) (2:43)
7. Howling Wolf Blues (1958) (2:44)
8. Miss Me Blues (You Are Gonna Miss Me) (1951) (2:18)
9. Play With Your Poodle (1947) (2:32)
10. Zolo Go (Zydeco) (1949) (2:47)
11. Jazz Blues (1950) (2:27)
12. Short Haired Woman (1947) (2:46)
13. Tim Moore's Farm (1948) (2:40)
14. One Kind Of Favor (1952) (3:00)
15. Tap Dance Boogie (1952) (2:36)
16. Coffee Blues (1952) (2:40)
17. Policy Game (1953) (3:02)
18. Ain't No Monkey Man (Unissued Specialty Recording) (2010) (3:15)
19. Give Me Central 209 (1951) (2:59)
20. My Little Kewpie Doll (Bad Boogie) (1958) (2:20)
21. I'm Wild About You Baby (1954) (2:54)
22. Moanin' Blues (1953) (2:29)
23. Highway Blues (1954) (2:37)
24. The Foot Race Is On (1959) (2:44)
25. Early Mornin' Boogie (1958) (2:15)
26. Hopkins' Sky Hop (1956) (2:10)

CD 2:
01. Mojo Hand (1961) (3:03)
02. Coon Is Hard To Catch (1961) (4:18)
03. Happy Blues For John Glenn (1962) (5:25)
04. Ida Mae (1963) (5:29)
05. Meet You At The Chicken Shack (1962) (5:39)
06. I Got Tired (1964) (4:40)
07. Trouble In Mind (Live) (Originally Unissued Recording) (2002) (2:42)
08. Leave Jike Mary Alone (Live) (1964) (4:31)
09. Baby Please Don't Go (Live) (1964) (2:40)
10. Bud Russell Blues (1968) (4:29)
11. Tom Moore Blues (1968) (5:00)
12. Slavery Time (1968) (5:27)
13. Black Cadillac (1962) (3:40)
14. I'm Gonna Build Me A Heaven Of My Own (1966) (5:59)
15. Sinner's Prayer (1963) (2:57)
16. Long Way From Home (1968) (2:51)
17. Change My Way Of Livin' (1969) (3:38)
18. Up On Telegraph Avenue (1973) (3:12)

Sam “Lightnin’” Hopkins’ career stretched across five decades and some 40 plus labels, not counting subsidiaries, though he seemed to settle for long periods with particular producers, burning out many along the way. When the 34 year-old Sam Hopkins entered Radio Recorders Studio in November of 1946 he probably had no idea of that it would lead to a new identity that would stay with him throughout his life. He had been paired with pianist Wilson Smith and the duo were dubbed Thunder & Lightning by producer Eddie Mesner and the soubriquet stuck to Hopkins . Thunder’s recording career clapped out in around 1948.

For a couple of years he flipped from Los Angeles’ Aladdin label to Bill Quinn’s Gold Star Records out of Houston before producer Bob Shad took over cutting sides for his own Sittin’ In With and his employers Mercury and Decca. Sessions for Bob Tanner’s Houston-based TNT and a spell at Herald Records in new York drew a continuous eight-year run of recording to an end in the mid-50s.

After a brief hiatus, the folk/revival scene of the late 50s and early 60s took Lightnin’ on board and put an acoustic guitar in his hands. At 47 Lightnin’ was “authentic” and was soon hanging with the folk glitterati and earning well off his live performances. The jazz label Prestige picked him up for their Bluesville imprint and cut 10 LPs with him, with the odd side trip to other outlets, including Bobby Robinson’s Fire label for some raucous rockin’ blues. At the same time he found a second home with producer Chris Strachwitz at Arhoolie, producing some of his finest 60s sides there.

He was a highlight of the American Folk Blues Festival in 1964 making some of his best live recordings around this time. His useful recording career ended with the 60s and for the rest of his working life he toured comprehensively from New York’s Carnegie Hall to Rotterdam to Tokyo and back to Houston, Texas, his adopted home.

Lightnin’ Hopkins had a mixture of styles and much of his work, even later in his career, harked back to a down home blues style from the pre-war era that he had lived through (although he didn’t record at the time). Apart from the more usual lost love and wig wearing subject matter, he also wrote movingly about the time of slavery and the wrongs committed by both white and black people. At times he also acted like a calypsonian, recording bulletins on the news of the day, sometimes literally. He could also boogie with the best if them.

Well, you might say, that’s all very well but does the world need another Lightnin’ Hopkins record? Obviously we think it does, when it is the first proper career overview, and acts as a companion piece to Alan Govenar’s inestimable biography His Life and Blues. Also gone are the Aladdin and Sittin’ in With sides swamped in reverb for later LP release and used by the ooc merchants. But then what do you expect from them. Read the book, enjoy the record. ~by Roger Armstrong

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Sideman   User offline   11 February 2016 13:50

Obrigado, Kamané! :)

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danrau   User offline   12 February 2016 10:13


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mufty77   User offline   13 October 2016 23:41

Please lossless!

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feu   User offline   17 October 2016 06:01

thanks a lot my friend!

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