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Goldmund - Sometimes (2015)
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Goldmund - Sometimes (2015)
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Goldmund - Sometimes (2015)

13-11-2015, 09:56
Classical Music | Ambient | FLAC / APE

Title: Sometimes
Year Of Release: 2015
Label: Western Vinyl
Genre: Ambient, Modern Classical
Quality: 320 / FLAC
Total Time: 46:15
Total Size: 106 / 175 MB


1. As Old Roads 2:40
2. Sometimes 2:49
3. Is As 1:50
4. Signals No. 1 2:51
5. Getting Lighter 3:00
6. A Word I Give (with Ryuichi Sakamoto) 3:26
7. Angel 2:09
8. Cascade 2:39
9. Too Much Still 2:32
10. Travelling 2:48
11. In the Byre 4:19
12. The Hidden Observer 1:57
13. The Wind Wings 2:36
14. To Be Fair and True 2:56
15. Turncoat 3:27
16. Vision 1:51
17. Windmills 2:26

"Kenniff…is a skilled craftsman." The New York Times // "This music is so so so beautiful!!" Ryuichi Sakamoto // "…minimalist piano pieces that delicately emphasize the physical expression of piano sounds. The overall effect is cinematic, like a film score composed by Erik Satie." NPR // Though he may not be a household name, Kenniff's evocative, distinctly American music has become quietly ubiquitous in the past few years, often appearing on NPR, in films, on TV, and in ads for Apple, Facebook, and Google among others. Recorded over the course of three years, the material on his new album Sometimes functions as a journal, documenting brief moments in Kenniff's day when he could turn to the piano as a source of solace and unending creative possibilities. Kenniff wrote and recorded everything on the album with the exception of the track "A Word I Give", which is a collaboration with preeminent Japanese pianist Ryuichi Sakamoto, who once described Goldmund's music as ", so, so beautiful." In an interview with NPR's Weekend Edition Keith Kenniff discussed his appreciation of Civil War era music, and it's ability to covey " much story in so few notes." Similarly, these improvisations manage to be richly evocative despite their technical and compositional simplicity, using subtle details and dynamics to express what might otherwise be inexpressible. Throughout Sometimes, Kenniff fully employs the wabi-sabi aesthetic that has always defined Goldmund recordings. "I like mistakes, I like when things don't go perfectly. I do have a tendency to want for things to be perfect and precise, but I have to also realize that a lot of things I like about music and art are very rough and impulsive, the slight imperfections that give something or someone a unique voice," says Kenniff.

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