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Kayhan Kalhor & Erdal Erzincan - Kula Kulluk Yakisir Mi (2013) Lossless

7-10-2013, 12:51
Jazz | World | FLAC / APE

Kayhan Kalhor & Erdal Erzincan - Kula Kulluk Yakisir Mi (2013) Lossless

Artist: Kayhan Kalhor & Erdal Erzincan
Title Of Album: Kula Kulluk Yakisir Mi
Year Of Release: 2013
Label: ECM
Genre: Ethnic Fusion, Avant-Garde, Neo-Traditional
Quality: FLAC
Total Time: 59:50 min
Total Size: 370 MB


01. Improvisation I 5:24
02. Allı Turnam (Traditional) 5:42
03. Improvisation II 3:23
04. Deli Derviş (Traditional) 4:10
05. Daldalan Barı (Traditional) 6:18
06. Improvisation III 2:59
07. Kula Kulluk Yakışır Mı (Muhlis Akarsu) 8:57
08. Improvisation IV 3:44
09. Improvisation V 2:14
10. The Wind (Erdal Erzincan/Kayhan Kahlor) 7:31
11. Intertwining Melodies 9:13

Kayhan Kalhor (kamancheh)
Erdal Erzincan (baglama)

Iranian kamancheh player Kayan Kalhor's 'East meets East' projects have brought some tantalizing cultural hybrids to full flower. The ongoing collaboration with Anatolian baglama master Erdal Erzincan is one of the most striking of them. The source material for their improvisations in this intense and fascinating performance - recorded in Bursa, to the south of Istanbul - includes music from all over Turkey and music of traditional Persian provenance.

These two master musicians from Teheran and Erzurum intertwine melodies, revisit "The Wind" (title piece of their previous ECM recording), and create instrumental music which acknowledges tradition but declines to be restricted by it. The album title, from the folk song of the same name by the great baglama player Muhlis Akarsu, translates as "How unseemly it is to follow anyone slavishly" - a motto of some pertinence to all the spheres of life, from the personal to the political to the spiritual. Interpreted artistically, as on this exciting album, it could allude to the creative freedoms implied by traditional music.

Much of Kayhan Kalhor's music has explored the nexus of the traditional and the innovative. When the collaboration with Erdal Erzincan began, Kalhor sketched out his blueprint for the meeting: "I'm looking for something that departs from nothing and then goes into developing material, and then goes into something else really improvised..." This was the ground plan for "The Wind", the first of the Kalhor/Erzincan albums, recorded in 2004. A great deal of shared work since then has intensified the concept, and this live album, which Kalhor considers one of his strongest recorded statements, shows how the music has moved to the next level in terms of the improvised content and the nature of the relationship between the two instruments.

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