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Zizi Possi - Pedaco De Mim
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Zizi Possi - Pedaco De Mim

31-03-2015, 13:37
Jazz | Bossa Nova | Vocal Jazz

Zizi Possi - Pedaco De Mim

Artist: Zizi Possi
Title Of Album: Pedaco De Mim
Year Of Release: 2007
Label: Universal
Genre: Jazz / Bossa Nova
Quality: Mp3
Bitrate: 320kbps / 44.1kHz / Joint-Stereo
Total Time: 38:26 min
Total Size: 87,7 MB

01. Fruto Maduro
02. Acordei
03. Morena Dos Olhos D'Água
04. Ave
05. Luz E Mistério
06. Pedaço De Mim
07. Nunca
08. Alma Caíada
09. Dança Infernal
10. Choro Das Águas
11. Vontade De Ninguém
12. Recreio
13. Chuva Princesa

Singing alone since she was a child, Possi started to take piano classes at five. At 20, she abandoned the strong composition program at the State University of Bahia and started working as an actress in a musical when she discovered herself as a singer. In 1978, she left for Rio, where she was invited by Roberto Menescal to record (at the time he was Polygram's A&R) her first album (Flor do Mal). Possi' first hit was the title track of the second album, Pedaço de Mim (Chico Buarque), from Buarque's musical A Ópera do Malandro, in which she participated that same year. In the '80s, Possi expanded her pop repertory at the expenses of MPB, having success with "Asa Morena" (Zé Caradípia, 1982). Other hits of that decade were "Perigo" (Nico Resende/Paulinho Lima, 1986), "A Paz" (Gilberto Gil/João Donato, 1987); "É A Vida Que Diz" (Marina), and "O Amor Vem Pra Cada Um" (a version for "Love Comes to Everyone" by George Harrison). The LP Estrebucha Baby (1989) represented a different, almost experimental phase, being the first time that "Meu Erro" (Herbert Vianna) was recorded not as rock or pop (as it was written), but as a densely interpreted song, which worked as an endorsement for a genre that was being incorporated into MPB under mixed feelings.

In 1990, the show Sobre Todas As Coisas (piano/voice/percussion) represented the finding of an internal coherence after taking different paths. Rewarded by the success enjoyed during the tour, she accepted Marcos Suzano's suggestion of incorporating Lui Coimbra's cello, recording the album Sobre Todas As Coisas (1991). The esthetics of an acoustic sound and the classics of Brazilian music were paid even further tribute on Valsa Brasileira (1993) and on her subsequent albums. Valsa Brasileira had two hits, "Bom Dia" (Swami Jr./ Paulo Freire) and "Lamento" (Pixinguinha). ~bio by Alvaro Neder

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sorun   User offline   28 May 2016 19:51


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